Wednesday 28 September 2016

M5 a Travelling Camera for Canon Shooters?

The Canon Mirrorless Experiment

Although Canon only has nine lenses at the moment for their mirrorless camera, they seem to be slowly re-engineering the M series mirrorless cameras, that uses the EF-M mount. It initially came out in June of 2012. Then Feb of 2015 they launched the M3 and increased the resolution to 24 megapixels. This was quickly followed by the M10 in Oct of 2015 at 18 megapixels and the focal points were increased to 49. Now, this September they have announced an M5, which now looks more like DSLR than any of the previous cameras.

Is it Consumer or Prosumer

If you go back through the reviews and history of the M series one thing sticks out. Very few reviewers seem interested in comparing the M series to the leading mirrorless cameras on the market. Most comparisons are between the M series and other Canon DSLRs. Perhaps this is because they saw the mirrorless camera market as occupied by the consumer low-end market. However beginning with the M3 they seemed to add more advanced features, introducing features found in their DSLR so there must have been a shift at this point. Still, this left the camera half way between and in no position to compete with the higher end mirrorless cameras, which were now adding Pro features to their cameras.
The M5 could bring Canon into line with the prosumer market but it is unclear if it would raise the quality of the camera to the professional level; a level that the flagship cameras made by Sony and Fujifilm are now at. It will be impossible to tell until serious reviews have had time to do the necessary testing and analysis of this new camera.
In the meantime, the only thing we can to is to look at the technical specifications and compare them.

A Technical Comparision

If we look carefully at the chart below we can see there are a number of hallmarks of the high-end mirrorless cameras missing (I have included the A7RII full frame in the comparison even though it is not an APSC camera because it is around the same size as these cameras):
  • The camera is only compatible with UHS-I cards, unlike all the others that use UHS-II cards. This means the camera's  write speed slower and ones read speed will also be slower.
  • I can not find magnesium body anywhere on their website so the lightweight and durability advantages of the other cameras are not present with the M5.
  • A big difference is the extremely low number of focus points 49 compared to 425/321/399 perhaps the most problematic issue.
  • Having only nine native lenses for this camera which puts it way behind its competition and lenses are really important. Also unlike the other cameras no third party lenses are available.
  • Auto ISO maxing out at 6400 is very curious when the others max out at 12,800 and 25,600, I wonder what that says about noise at high ISOs.
  • Lack of complete weather proofing is also a difference between this camera and the others. Canon claims it is weather seal but not like their DSLR, I am not sure what this means?
  • The frames per second is a decent 7fps but this does lag behind the other APSC cameras.
  • Then there is the single SD drive the most recent APSC cameras now have dual drives, additional insurance against card failure.
  • There is the smaller APSC sensor which impacts pixel pitch which is the lowest of all the cameras, which means the lowest image quality.
So it seems, although the M series is improving, it is not really marketing towards Prosumers and Pros yet, at least as far as a comparison of technical specifications can tell us.

Should You Buy One?

I think if you are familiar with Canon and their products there is something to be said for sticking with the family, and if you own a previous version of the M camera you already have some lenses. However, if you do not have M lenses, in terms of value for the dollar, the Sony A6300 is a smaller, lighter and a more advanced camera for the same price. The Sony lens stable is also much larger both native and third party. In addition to this high-quality adaptors allow all Sony mirrorless cameras to use Canon EF lenses and they will operate faster (with 5-axis stabilisation) than on the M5.
If you are really looking for a good high-quality travelling camera then Fujifilm's APSC cameras, both the X-Pro2 and X-T2 might be the way to go, although it is more expensive its lenses are smaller than both the M5 and Sony's cameras. They also have a disproportionately high recommendation rate on lens testing sites. So these two cameras would create your lightest kit.

Buying the Most Advanced Camera: or preventing technical ageing

This is a difficult thing to track down but beyond the mythical organic sensor rumours, the most advanced technology in the camera is usually the sensor. Here two new things have just reached the market the use of copper substrates and Back Illuminated Sensors BSI. This is the latest technology and can be found in Sony sensors currently Nikon, Fuji and Sony are using Sony Sensors, Canon manufactures their own sensors. The only cameras on the market, that I am aware of, with copper a substrate is the Sony A6300, Fuji X-T2, Fuji X-Pro2, Sony A7RII and Sony RXiRII the later two are full frame and also have BSI. So if you are concerned about the technology not ageing you would want one of these cameras.

The Technical Leap in Image Quality because of BSI and Copper Substrates

  • Copper substrate sensors have a much lower heat signature so your noise level is at least one to two stops better, which means you can run your ISO up without a lot of nasty noise. Good for night shots or poorly lit churches.
  • BSI sensors allow a wider angle of light to be recorded by the sensor, therefore they are more accurate and increase the dynamic range of the camera by one or two stops as well as improve colour rendition and other improvements.

A Size Comparison

In this comparison, I used a pancake lens version of each company's lens, so they don’t exactly match up, but they do demonstrate how compact they can be if you are using a pancake lens on the camera. As you can see none of these cameras is pocketable, but compared to a DSLR they are really half the size, perhaps more. Keep in mind that all the cameras are APSC sensors except for the A7RII which is full frame.
Left to Right: Canon M5 22mm, Sony S6300 20mm, Sony A7RII 35mm and Fujifilm X-T2 18mm (equivalent to 28mm)

Friday 23 September 2016

5D Mark IV Canon Shooters Full Frame Dilemma

The New Sensor and Processor?

If you own a full frame Canon and a collection of wonderful lenses then the latest upgrades does present a dilemma. First the latest 5D Mark IV took 4 years to arrive, unlike other manufacturers who appear to be revolutionising the camera industry yearly and sometimes more frequently. Then you discover that the processor might be a tweaked Digic 6 with a "+" added on to the end of it so it can switch quickly to video. Now if your primary work is in stills then this is worrying. Which draws into question the sensor is it new or has it also just been tweaked. A quick visit to a review site and you discover yes indeed it is the best sensor Canon has ever produced, but then you discover they are still behind Nikon, Fuji and Sony in terms of dynamic range, colour and noise.
A quick comparison from the DXO testing site is found below, the X-T2/X-Pro2 have not been tested yet:

Courtesy of DXOmark

The New Autofocus and FPS

The new autofocus engine on the new Canon is 41 cross points with 61 point autofocus, but wait even Nikon's APSC camera has 153 autofocus points, Sony's mirrorless full frame AR7 II has 399 autofocus points, Fuji's X-T2 has 321 and Sony's A99 II has 399 autofocus points. Anyone who has seen the A99 presentation of a camera shooting 42 megapixels tack sharp images at 12 frames per second, would realize that Canon may well be bringing up the rear guard with their focusing technology. So we can forget even discussing the 7 frames per second of the Canon camera does even though it is 2 fps faster than last years Sony A series or the Nikon 800 series. But keep in mind that the new Nikon D500 is 10 fps and the Fuji X-T2 is 8 fps. Yes, I know these last two cameras are APSC cameras but if you look at the resolution test, especially from the X-T2 (except at extreme ISOs) it is of similar image quality.

Falling Back on the Lenses

Well, of course, the fall back here is the lenses are excellent and the lens stable is large, after all, you date your camera but marry your lenses. What could be better than shooting on Canon lenses, they have great glass? It is really more important to have good glass than anything else. So let us look at two trusted lens testing sights for an evaluation of prime lenses.

Although some of the sites have not caught up to the new lenses that have been produced over the last few years, it does seem the Canon lens are not testing as well as other brands.

How About Cost and Weight?

Well in this regard the comparisons show that the Canon kit might be the cheapest full frame kit but only by a few hundred dollars over the Sony kit. When you are spending this much money to go full frame the difference is meaningless. Especially when the Sony kit contains a better camera and some of the best glass on the market. If you are going to go full frame it would make no sense to keep investing in a new Canon camera.
If you are going to travel given the extremely high quality of the Fuji lenses it might make some sense to look at this kit, after all, the weight and price are half that of a full frame camera! A little googling will come up with a plethora of full frame pros that have gone Fuji especially for field work.

Side by Side Comparision

Here all three cameras in the same order as above with a 35mm lens attached.

Conclusion

Given the quality of the lenses, the low level of camera innovation and the quality all round compared to other choices, it would make some sense to liquidate a Canon system before the news gets around, that even Nikon is out producing better lenses and cameras. 
The good news is glass retains a high degree of value and the cost of moving over to another full frame system might be around 40% of what it might costs if you sell off your camera and lenses. Given how far ahead the mirrorless cameras are now it might make a lot of sense to buy into a mirrorless system and really there are only two choices here, Sony full frame A7 series or the Fujifilm APSC X series. 
Sony provides excellent choices of three full frame mirrorless cameras the A7S II which is the best low light camera on the market and a favourite of the video world; the A7II a 24 megapixel all purpose camera; and the world's most advanced high-resolution full frame camera the A7R II with a 42-megapixel sensor. All at prices below those of equivalent DSLRs. Not to mention the ability to use their new G master lens calibrated to a quality well above any current full frame lens or the stable of superb Zeiss Batis lenses specifically designed for the Sony A7 series.
Now if you were considering a Fuji system, which many full frame photographers are moving to because of the extremely high quality of the lenses and the X-Tran sensor which gives a boost to your resolution, then you might be able to almost do this for free. The quality of Fujifilm lenses is their best-kept secret and in most cases can run rings around the quality of full frame pro lenses.
One final note if you want to hedge you bet a simple Metabones Adaptor would allow you to keep using your Canon lenses while you explore a Sony Camera.
Canon EF Lens to E mount Smart Adapter (Mark IV)

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Thursday 22 September 2016

A New Look at Sensor Size

Sensor Sizes Compared

Below I have posted three charts and a table. The first chart compares cameras with APSC size sensors or smaller, in this chart, I assume the APSC sensor is 100% and show how the others compare in terms of the percentage of square mm. The second chart compares full frame cameras sensors to smaller camera sensors assuming the full frame is 100%. The third chart follows the same format but starts with medium format cameras at 100%. The table below the charts has more specific information about cameras sensors, their size and their pixel pitch which has a big impact on image quality (IQ).
For more information on pixel pitch check out my previous post titled "The Great Megapixel Con."  



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